1x DVD-ROM + 1x DVD-Video.
DVD I Databaza / Database
autori textov, fotografie: Marek Cepko, Marian Alojz Mayer.
DVD II Videoteka / Videoarchive
rezia: Pavol Fuko; kamera: Martin Gazik; strih: Miroslav Bartos; zvukova rezia: Martin Burlas; organ: Marek Cepko, Emilia Dzemjanova, Zuzana Ferjencikova, Ferdinand Klinda, Monika Melcova, Jan Vladimir Michalko, Anna Predmerska-Zurikova, Peter Reiffers, Peter Sochulak, Ivan Sokol, Imrich Szabo, Bernadetta Sunavska, Marek Vrabel.
Na DVD Organy a organári na Slovensku 1651 – 2006 predkladáme výber z doterajšieho prieskumu. Z roku 1651 pochádza najstarší v celosti zachovaný nástroj u nás. Rok slovenskej hudby 2006 bol podnetom predstaviť výsledky prieskumu organov v širšie koncipovanom 3-jazyčnom projekte. Sú v ňom zastúpené popri najvzácnejších starých organoch aj nástroje, ktoré dispozične, technicky ani výtvarne nezodpovedajú dnešným kritériám, avšak sú svedectvom doby, v ktorej vznikli a používali sa. Napríklad organ v bratislavskej Redute bol dlhodobou súčasťou koncertného života a dlho jediným koncertným nástrojom na Slovensku. Aj medzi novšími nástrojmi sú nástroje typické pre dobu svojho vzniku, no mnohé majú aj mimoriadnu cenu z technického, zvukového a architektonického hľadiska. Výber organárov vyplynul z výberu organov a zahrnutí boli aj niekoľkí ďalší, o ktorých je známe, že pôsobili na Slovensku (Magister Mikuláš, Burianovci), hoci ich nástroje sa nezachovali.
The DVD Organs and Organ Builders in Slovakia 1651 – 2006 represents a selection of the research carried out until now. The oldest completely preserved instrument dates back to 1651. 2006 being the year of Slovak music was a stimulus to presenting the findings of organ research in a more widely designed trilingual project. Beside the most precious old organs, there are also instruments included, which do not meet the specification, technology and design criteria of today, but are to be seen as a testimony of the time when they were built and used. For instance, the organ in Reduta, the city ballroom centre in Bratislava was an integral part of concert life and the only concert instrument in Slovakia for a long time. Among the newer instruments there are also some typical of their time, but many of extraordinary value with regard to their technical, sound and architectural qualities. The selection of organ builders resulted from the organ selection. Nevertheless, a few others were included who are known for having worked in Slovakia (Magister Nicolaus, Matej Burian, Hieronym Burian), although their instruments have not been preserved. Overall, the list of organ builders active in Slovakia is much longer and the publisher intends to introduce them in a later issue of the edition. The means and extent of instrument documentation mirror the fact that it is the initial research (the data from archive research are presented only if available). The instruments are described by means of chronological overviews of works carried out on them (if known). There has only been very little literature on instruments, which the authors had at their disposal. Sometimes, the instrument description also includes a company’s inscription. This, however, has to do with its repair and does not come from the builder, which the reader will easily identify thanks to the works listed.
| Property | Value |
| format | DVD |
