Collection of Lubeník / Solamente naturali / R.Papp

Collection of Lubeník 1762-1775 - Solamente naturali, Rita Papp harpsichord

Murky

1. Murqui laente

2. Polnischer Murqui

3. Trio

4. Aria

5. Polonoise

6. Polonoise

7. Capricio

La Folle

8. La Folle

9. Aria

10. Polonicus

11. Spagnioletta

12. Sarabanda e variatio

13. Courante

Ballo

14. Ballo Anglois

15. Menuet

16. Menuet

17. Tempo di Menuet

18. Capricio

Suita

19. Andante

20. Murqui

21. Caffe Menuet

22. Lilium Cornelii e Variatio

23. Flos Narcissi

24. Murqui

Sordino

25. Polonaise

26. Tri

27. Mourqui tres belle

28. Murki undula maris

Sacra

29. Fuga del Sign Muffat

30. Pri skonání dne

Gallanteria

31. Gallanterie

32. Salt. Pol.

33. Polon.

34. Salt Polon. Jaj, jaj, hova legyek

35. Steirisch, ot mesj ot darku

36. Murqui Ex C

37. Harlequin

Melancholy

38. Bez názvu

39. Aria Sie flihet fort!

40. Von Cecila

41. Aria Sie flehet fort!

42. Alt. Pol.

Lusty

43. Polon.

44. Huter Geschrey

45. Flos Hyacinthi

46. Bez názvu

Solamente naturali:

Miloš Valent violin, viola, Rita Papp harpsichord, Marek Špelina traverso flute, recorders, Stanislav Bartko vocal solo (30), Andrej Štafura organ, church Mokrá Lúka, Lubica Habart violin, Peter Vrbinčík viola, Michael Sťahel cello

Lubeník Collection is an anonymous music manuscript coming fom the second half of the 18th century. In the history of music in Slovakia it represents the domain of the urban music life and practice of town musician in the period of Early Classicism. It contains music designated for the church service, or on private and social secular occasions, as well as music for a refined entertainment of the society of the time. The collection was discovered in Lubeník in the house of Samuel Novák, the teacher of the local school of the Evangelical Church of Augsburg Confession in the period 1873 - 1909. No notes reveal the place and time of its origin, its owner or scriptor, there are no signs disclosing the composers of the pieces (with the exclusion of two composers names - Obermayer and Muffat, the authorship of whom has not beenreliably confirmed yet). The Lubeník Collection brings us compositions coming from different territories, which have their counterparts in the sources of instrumental music form the 17th century and the first half of the 18th century as concordances, variants, or exceptionally popular period dances as the most prevalent repertory of the instrumental music from 16th to 18th centuries. The Lubeník Collection brings us compositions coming from different territories, which have their counterparts in the sources of instrumental music form the 17th century and the first half of the 18th century as concordances, variants, or exceptionally popular period dances as the most prevalent repertory of the instrumental music from 16th to 18th centuries, mostly with Jan Adam Šantrach Collection and Jan Fabricz Collection.

Zborník z Lubeníka, anonymný notovaný rukopis z druhej polovice 18. storočia, reprezentuje v dejinách hudobnej kultúry na Slovensku sféru mestského hudobného života a prax mestských hudebníkov v období raného klasicizmu. Obsahuje hudbu typicky užitkovú, určenú na využitie v rámci bohoslužby v kostole, resp. pri svetských príležitostiach: duchovné piesne, organové skladby pre kostolný chór, módne tance, žartovné skladby, nemecké piesne, skladby galantného štýlu späté so zábavami a domácim muzicírovaním. Zborník bol objavený v Lubeníku v dome Samuela Nováka, učitela v tamojšej škole. Zborník z 2. polovice 18. storočia uchovával vo svojom dome Samuel Novák, učiteľ z Lubeníka. CD Collection of Lubeník už na prvé počutie prekvapí svojou pestrou dramaturgiou. Duchovné piesne, organové skladby pre kostolný chór, módne tance, žartovné skladby, nemecké piesne, skladby galantného štýlu späté so zábavami a domácim muzicírovaním.