LATE 15TH AND EARLY 16TH CENTURIES
1. Palmiger a vernulis (Anonym) 1:33
2. Solis previa (Anonym) 1:16
3. Modulisemus omnes (Anonym) 1:37
4. Ex linwis multiphariis (Anonym) 1:12
5. Fortis ecce leo ille (Anonym) 1:16
6. Esperance que en mon cuer (Anonym) 1:57
7. Sanctissima mitissima (Anonym) 1:18
8. Johannes: Jesus Christus nostra salus 1:11
Petrus Wilhelmi de Grudencz
9. Preconia etroclita 1:39
10. Prefulcitam expolitam 2:14
11. Pneuma eucharistiarum / Veni vere / Dator eia 2:07
12. Pax eterna templo 1:26
13. Plaude euge theotocus 1:12
14. Probitate eminentem / Ploditando 3:24
15. Gaude Maria, virgo infuisti (Anonym) 2:30
16. Mandragore dedrunt (Anonym) 1:14
17. Sicut cedrus exaltata sum (Anonym) 1:18
18. Flosculum amenitatis 1:08
19. Pulcherima rosa (Anonym) 1:51
20. Omnis nunc microcosmos / Omnis mundus iocundetur (Anonym) 1:56
21. Johannes Touront: O preclare, Jesu care 1:32
22. Andreas: Ave pura tu puella 1:59
23. Pane Bože, buď při nás (Anonym) 1:34
MICHAEL MAIER: ATALANTA FUGIENS Extract from the "alchemistic" music for Emperor Rudolf II.
24. Appone mulieri ("Foemineo gelidus") - Fuga 5 1:42
25. Fit pullus a nido ("Rupe cava nidum") - Fuga 7 1:20
26. Hic est Draco ("Dira fames polypos") - Fuga 14 1:45
27. Se de quattuor unum occidas ("Bis duo stans fratres") - Fuga 19 1:02
28. Rex balneatur in Laconico ("Rex Duenech") - Fuga 28 1:11
29. Ut Salamandra vivit igne ("Degit in ardenti") - Fuga 29 0:59
30. Corallus sub aquis ("Planta maris") - Fuga 32 1:00
31. Hermaphroditus ("Ille biceps gemini") - Fuga 33 1:01
32. In balneis concipitur ("Balnea conceptu") - Fuga 34 1:04
33. Tria sufficiunt ("Terna magisterii sunt") - Fuga 37 1:22
34. Sol et ejus umbra ("Sol, fax clara") - Fuga 45 1:38
35. Lupus ab Oriente ("Hinc, ubi Sol oritur") - Fuga 47 1:19
EARLY 17TH CENTURY
36. Antonio Brunelli: Piangerem sempre 2:20
37. Cezare Negri: La catena d'amore 2:22
38. Cezare Negri: Ballo fatto da sei Cavalieri 2:11
39. Enrico Radesca di Foggia: Occhi, stele amorose 1:26
40. Girolamo Marinoni: O Rex Gloriae 2:41
41. Giacomo Fornaci: O bell'arco d'Amore (Amorosa arciera) 2:19
Total time 69:26
Ars cameralis
directed by Lukáš Matoušek
Zuzana Matoušková - mezzo-soprano (1,2,3,5,7-10,13-16,18,19,21-23), Oldřiška Musilová - mezzo-soprano (24,28,29,31,33,34), Hanuš Bartoň - portative organ (1,4,12,15,16,22), Milan Langer - portative organ, small harpsichord (2,5,6,10,11,17,23,24,34), Lukáš Matoušek - recorders, gemshorn, crumhorns, cornamusa, shawm, harp, small harpsichord, micanon (1,2,4,6,7,9-12,14,15,17-21,23-35), Jiří Richter - fiddle, citole (1,4,6,9-19,21-23,26,30,33,34)
Guests of Ars cameralis:
Milada Čechalová - soprano (5,7), Lenka Škorničková - soprano (25-27,30,34,35), Lubomír Moravec - counter-tenor, tenor (24,27,31-33), Richard Sporka - counter-tenor, tenor (3,8,11,20)
Jan Štětka - counter-tenor (1,10,14), Stanislav Předota - tenor (2,3,8,11,20,23), Michael Pospíšil - bass (1,2,11,13,19,22,23,25,26,28,29,31-34), Zdeňka Pelikánová - fiddle, citole (10,11), Hana Fleková - viola da gamba (24-27,30,33-35), Karel Klement - recorder (7), Miloslav Klement - gemshorn (2)
Ad vocem directed by Přemysl Vacek
Anna Hlavenková - soprano (39,41), Stanislav Předota - tenor (36,39,41), Michael Pospíšil - bass (36,39,41), Dagmar Valentová - violin (37,40), Ingeborg Žádná - viola da gamba (36,37,39,41), Petr Wagner - viola da gamba (36,39,40), Přemysl Vacek - chitarone, archlute (36-41)
| Property | Value |
| format | CD audio |
| original instruments | Yes |
